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Archive for the ‘Rabbi Shergill’ Category

Happy New Year y’all!

happy 2009

Wow…another year takes its bow and leaves. Good riddance, I say. Though on a personal level this year has been a mixture of both good and bad, it definitely hasn’t been a good one for the world in general. I’m looking forward to a new year that will hopefully bring it with it brighter days, more clarity, more strength, greater hope…that will just be better than the year that has gone. Wishing you all joy, peace, and health in the new year!

I’ve just seen my parents off at the airport and it has sunk in that the holidays are truly over…always a difficult pill to swallow. This is my favorite season (the most wonderful time of they year!). I hate to see it go. I have a lot to look forward to this year, but currently my body and my mind are loathe to show much activity and movement. We just wants to lies arounds and do nada. Ennui sets in. I’m in danger of simply becoming a zombie, so I thought that some writing would kind of push my body and brain into circulating some thought and action. Or, yunno, I’m just procrastinating more.

Anyway, I present to you my list of favorites in music and some other miscellaneous categories :)) These opinions are just passing thoughts and just personal opinions, and probably valid to change hour by hour. If you’re a regular reader, you probably know my love of adjectives is never ending, so please to keep in mind the use of hyperbole, kthx.

🙂

Best Bollywood Soundtrack: I think that in comparison to 2007, 2008 showed more innovation and experimentation, but still came short of impressive work. There weren’t that many albums that stood out to me this year, and I barely added any to my library. But even if I didn’t exactly love them, I will say that there was definitely a greater variety in the music out there…more directors, more singers, more styles being played around with. That’s a big step up, and it makes me look forward to the future of Bollywood music.

That said, for me the best album of the year was Yuvvraaj. Apart from my obvious bias towards Rahman as a long term loyal fan, I pick Yuvvraaj because it was so amazingly refreshing for me. And it was a very experimental album for him, this third one this year. I haven’t seen the movie and will never see it (eww to what I’ve heard about it), but that isn’t necessary with Rahman, and especially with Yuvvraaj. From Jaane Tu Ya Jaane Na, to Ada, to Yuvvraaj, Rahman has taken impressive steps to revolutionize his music and change the flavor each time, and do it with the same magnificence. His music is alive, pulsating with life and rhythm and personality and character. And so, yes, it takes time to get used to each new album, but once you do, you absorb it completely and just revel in it (or atleast, I do). Tu Meri Dost was simply lovely…with its high peaks and its low softness, its fantasy-like quality…Mastam Mastam had a quality of freedom, of rebellion, of carnivals and of tolis set out to celebrate…Shano Shano was downright club music with twists and turns that baffled initially but drew you in soon enough…Zindagi was rich in emotion and ached with pain and angst. New voices appeared throughout, and familiar voices showed new talents and capability. Each time I listen to the album, I discover new nuances, new feelings, new emotions, and understand new aspects of the lyrics that actually makes it an experience each time. That’s a golden album for me.

Best Non-Bollywood Album: If you’ve been to this blog even two times you can guess it. Avengi Ja Nahin was miles ahead of anything else this year, anywhere. In fact, I feel it could be miles ahead of its time and its generation. I don’t know how much it was appreciated in India, but Rabbi is an undisputed genius. I’m literally left breathless by how amazing this album is, and how I discover new things in it each time. Read in depth reviews here and here.

(And don’t take just my word for it…see Deepak Iyer’s list for the year gone by here for further corroboration)

Best Filmi Song (Lyrically and Melodically): This was a tie for me between Khwaja Mere Khwaja and Ek Lau. Amit Trivedi’s lyrics for Ek Lau are undoubtedly amazing: they are simple, beautiful, touching. In a few lines, he says so much of such great importance. He conveys the dilemma of the human being, the pain and angst of our world as it stands today, and the confusion of the normal human caught up in all this conflict. Shilpa Rao’s voice is delicate, soft, trembling with emotion, and adds as much to the song as the lyrics and the music do. It is a masterpiece.

Khwaja Mere Khwaja is complex, not easy to grasp, but from start to end it is seeped in devotion, faith, in deep emotion and religious love that is quite powerful to listen to. The Sufi touch envelops you and the lyrics, once understood, mesmerize you. The call touches you, the desire of the devotee to reach his Khwaja is touching, and it involves you, it raises you. If you close your eyes, you may find yourself at Ajmer Sharif… (but please, with none of the terrible actors in the scene from the movie: I almost walked out in frustration at those expressionless zombies).

Best Non-Filmi Song (Lyrically and Melodically): Without hesitation: Ballo, from Rabbi’s Avengi Ja Nahin. Possibly the best song written and composed in recent times. The best song all year in any category. It has made my list of life time favorites, and I think it is a rare gem, as is Rabbi. I possibly don’t need to say more than I’ve already said here.

Most Melodious Song with Disappointing Lyrics: This is a unique category, but I find some gems every year where the music is just outstanding but the lyrics fall far behind. It is my belief that a great song is made up by just the right combination of lyrics and melody and the right voices (I don’t mean lyrics must always be super meaningful or symbolic, but they should hold substance of some sort, even if its mushy substance). But, I must admit, a large part of my library is made up of songs that sound oh-so-good but mean so little if actually thought about. Of course, the trick is not to think about them. 😉 In this category, the prize goes to Hawa Sun Hawa, in Rahman’s Ada (lyrics and translation here). I can’t bother myself to look up who wrote them, but homeboy sure lives on cliches and over used mushy lines. Seriously, hasn’t the woh kaun hai bit been done to death? Raaz, yaad, uske bina, aaja re aaja…aiyiya, seriously, how can a song be so cliched and overly lovey? Haven’t we moved past that by this point? Not to mention the many lines where the song simply goes to into random words to fill in space (aaja re aaja re aare…!!), and I don’t know if Rahman isn’t a little bit involved there. Lyrically, the songs he’s been choosing haven’t all been very good in recent times, which is slightly disappointing to me (Shantanu Moitra, for instance, always seems to give music to songs with substance, such as the recent Sajjanpur and the older Ab Ke Sawan). Also, don’t tell me you can’t have a love song without 100% cliches…Ek Meetha Marz De is a fine example. I love romance as much as the next woman, but, seriously, lets have less of this and more of that. But the music of the song…aah…SPELLBINDING. That’s how I still manage to listen to it.

My Favorite Male Playback Singer in 2008: Mohit Chauhan. I used to love Silk Route when I was a child, and when he came back as a playback singer, I was delighted. It means I get to hear his voice more. Tum Se Hi in 2007 from Jab We Met was arguably a pop gem (if only I didn’t harbor deep suspicions about where Pritam got that tune from, I would love it even more)…so was Guncha a few years ago, and this year he sang Kahin Na Laage (from Kismat Konnection…another Pritam…aiyah), and then the beautiful Moitra song, Ek Meetha Marz, which sealed it for me. Sure, I’d love to see him add some more variety to his portfolio in the year to come, but I can’t deny that I love those songs mostly because he sings them so well. Sonu Nigam in Hawa Sun Hawa almost took this spot, but then I had had too much of the drawing out of words…

My Favorite Female Playback Singer in 2008: Shreya Ghosal. I’m generally someone who doesn’t really love super sweet voices (honestly, they grate on my nerves at times), but Ghosal is different. From her debut a few years ago, girlfriend has grown and grown and just become better and better. On one of the music competition shows for children, Pritam or some other idiot told one of the little girls she sang better than Ghosal had for a particular song…I think I gaped for about a minute and then said something unladylike, before switching channels. Ghosal is one of the most promising singers of my generation, not just because her voice is so lovely and melodious, but because she makes an effort to expand her styles and pick up varied songs, and because it really seems like she works hard. She packs feeling and emotion into her work, and that is what a great singer maketh. From the most recent Kaise Mujhe from Ghajini, to her bit in Tu Meri Dost Hain, to her small but memorable part in Khabar Nahin…this has been a Ghosal year, and she deserves to be lauded for her work.

Singers I’d like to Hear More From: Vishal Dadlani makes great music with Shekhar, and they both sure do sing well. So please to sing more! Dostana was a fun, light album, but definitely exposed how much potential Vishal has as a singer. Benny Dayal is a new discovery…by Rahman…and I don’t know who this dude is but I would definitely like to hear him more. His voice on Yuvvraaj is full of promise: please don’t disappear! We don’t get to hear Shilpa Rao enough, and the same goes for Srinivas.

**That ends the Hindi music side. I can’t comment much on movies, actors, actresses etc because honestly nothing really caught my eye this year. I will say that Bollywood is finally growing up and I’m very proud of it for doing so. Provocative, mature, sensible and slick cinema is now being produced, which is excellent. I didn’t catch enough of this yet to really name any ones that stood out, but I do have great hope now for the film industry.

And now onto the other half of my music library…my favorite Korean pieces this year. My handicap here is that I don’t always understand all the lyrics (a lot of other times, I’m not that bad in getting the gist, or I look em up :)). But that just means the music has to prove itself more. There was some great music this year, but definitely not at par with the year before in my opinion. Going through my library I realized I really haven’t added much to it since 2007, at least not to the same level. Hoping 2009 will bring more great music from an industry, especially from the Indie and Rock scene…

Best Drama Soundtrack: If there weren’t that many great dramas this year, there also weren’t that many great OSTs. Unlike past years, from which I have quite a few favorites added to my collection, 2008 was seriously lacking. Who Are You wins simply because I enjoyed it so much while the drama was going on, and that had to do a lot with the placement of the songs/instrumentals and the way they fit into the story. Thinking deeper, I think Gourmet has greater quality, and more substance, and some very impressive pieces (especially Gyung Hab, with its Arabic twists…wow, what an instrumental).

Best Album: Alex’s My Vintage Romance. Yep, even I was surprised by how much I enjoyed it. I do like Clazziquai and have always loved Alex’s voice, but I didn’t have humongous expectations when I started listening to it. But many of the tracks have become favorites and his voice just has this quality…it can really fit into the mood of the song, it can smile, it can express pain, it can be flirty, it can be romantic, it can be calm and sober. He really plays with many different styles in this album, and does quite well. Highlights are Lets Clasp Our Hands Together (깍지껴요 ft Gaeko) and Love (사랑하오), and Daisy.

Favorite Song: Umbrella, by Epik High, and ft. Younha. I’ll tell you a secret. This year, I had to loosen up on my Epik High fanaticism. My respect and admiration for them is still as great as ever, but neither of their two albums really did much for me this year, except for bright spots here and there. I’m not sure why. All of their other work has spoken to me, so I’m not sure what happened here. Maybe I should go back and re-listen and re-absorb. However, Umbrella was still impressive…dark, gloomy, full of angst and lyrics that made you ache…in other words, completely Epik High.

Song I Didn’t Expect to Like: But did. Mirotic. Definitely not a DBSK fan, and probably never will be, but this song was very…mirotic. Also, their dancing in the MV and on their on-stage performances is excellent and always supremely polished (with many “how the…what the…huh?” complex steps), and that makes the song even more attractive. But, seriously, are these boys actually real or programmed, too good looking robots? (Shuts up and won’t tag for fear of fan wrath ;))

Disappointed in…: Clazziquai’s most recent album, Metrotronix. I mean, it is just too much techno and electro for me. And it just doesn’t have…the it quality that their other work has had. Of course, I have the one song featuring Yi Sung Yol. That’s a given, ain’t it?

Year End Bang: My Aunt Mary’s Circle. I haven’t given it too many listens yet but what I have heard, I’ve loved. And how good to have them back on the scene. Thomas Cook’s voice never gets old, I tell ya.

My Wish for 2009: 이승열 (Yi Sung Yol), won’t you please release another album? We’ve been waiting patiently! Hearing you twice a year on OSTs or featured on other singer’s albums is simply not enough. I’ve worn out volume 1 and volume 2, and a new volume would be the perfect present this year. Nothing in the world quite like his voice…

****

Its midnight and time for me to turn into a pumpkin! Or maybe just time to eat a guava. Don’t ask me why. Go grab your own midnight snack.

Happy 2009!

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I was happy to read this news piece, confirming my own thoughts on his songs, in his own words. Rabbi is indeed a female sympathetic song writer, and chooses to write about the crucial topics facing India right now: female foeticide and the rights of the girl child. His beautiful songs speak out to me, and to many women, for these reasons.

I must go back and look at Avengi Ja Nahin in this new light now. Which is always the greatest thing about Rabbi: you discover new qualities, new meaning, new aspects each time you listen.

Singer Rabbi Shergill, the voice behind popular songs like Bulla Ki Jaana and Tere Bin, says his latest album Avengi Ja Nahin focuses on social issues like female foeticide, rights of the girl child and racism.

Ballo, one of the nine songs of the album, talks about the issue of pre-natal sex determination, Rabbi explained. “Female liberation is guided by the patriarch and women are still manipulated,” said the singer, who is known for the Sufi influence on his music.

While the album’s title song Avengi Ja Nahin is dedicated to the girl child, Ballo will suggest gender selection”, said Rabbi.

Credit: http://sify.com/movies/fullstory.php?id=14701943&?VSV=SMM

Another exciting piece of news: The video for Challa is now out. Maybe now I’ll be able to understand the meaning behind the song better. Interesting MV, though I wish the quality was a tad better.

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Lyrically, Avengi Ja Nahin has several songs that seem singularly female-sympathetic, an attitude that is refreshing in a young male singer, and important in our generation. While the first album had songs that chose a woman as their heroine, like the girl wandering around the country searching for answers and finding more questions in Jugni, or Ishtihaar, a song which describes an advertisement for a lost woman, a lost love, this second album is more feminist in its approach. I’m not sure how purposeful that is; perhaps as a woman I read too much into them. But whatever the reason behind it, I find that especially attractive in his lyrics, because I can relate to them more and understand them more.

Avengi Ja Nahin discusses more about love than Rabbi did, and is more ‘direct’ in a way. By that I mean this: in the first album, the songs discussed love but with a certain tragic quality (like the lost woman in Ishtihaar or the story of Heer-Ranjha, or even the sudden change in the lovely Tere Bin where the hero makes a significant realization about the woman who left (‘giving up’ or losing love). In this new album, the love songs are more direct, more open, and more flirtatious in a sense, as the lyrics proclaim confidence in the hero’s love and lust. Therein lies an irony that confuses me about Rabbi’s lyrics. The woman in his love songs (self-written or chosen) is always leaving, or teasing, or out of his reach while the words claim the pain and loss he has felt from her. Yet, other songs are on her side, proclaiming her beauty, her strength, or even giving her encouragement. Why the difference between his love stories and social narrations?

The title song, Avengi Ja Nahin (Will you come or not), is not my favorite by any means, but it has good music. Its almost a straight talk kind of song, where the lover demands his beloved if she will come or not, if she will return his love or not, or will she just leave him with empty promises?(A new article leads me to reconsider my thoughts on this song: Must go back and reanalyze.) Challa is confusing to me, and I’m waiting for more clarification on its lyrics in which the challa (ring) becomes different things that hold meaning (there was an original version sung by Gurdas Mann, which I must also check out). Maen Bolia (I said), is one of the songs I mean when I talk about a confident love…it is a defiant, bold proclamation from a lover that says that he knows she loves him, she has the fever, and she will come to him. Another love song is dedicated to the mysterious girl from Karachi, who is beyond his reach, who he can never have because of many obstacles, yet who he knows yearns for him too.

That’s it for the love songs, and while they are all quite good and Challa is gorgeous in its music, none of them caught me with as much force as the simple Tere Bin did from Rabbi. The others songs are my real favorites, and not just because of their larger meanings and greater symbolism, but because their lyrics are simple and the music is just right, complementing each word. This is kind of a talent that Rabbi has that ends up bringing the most out of the lyrics (thus creating the sensation by his working of a 16th century poem, Bulla).

Bilqis, or Jinhen Naaz Nahin, will stand out for everyone who is a fan of Rabbi’s social commentary. It is a narrative that is based on the shocking true story of Bilqis Bano, the woman who was gangraped in the 2002 Gujarat riots and lost 14 members of her family (and still awaits justice from the courts in India, and goes on to describe other incidents of innocents wronged by the society we live in. And Rabbi demands through their voices that the people who have such pride in India, who like to boast and claim all is well in this nation and there is only growth and no problems, who are so nationalistic and jump at any criticism: where were you? Where were you and where are you when such horrendous crimes against humanity take place?

Bilqis (Jinhen Naaz Hai), Rabbi Shergill

Paghri Sambhal Jatta is a re-interpretation of a popular inspirational song for the Sikh youth, and I wouldn’t be able to say much and as well as is written here on The Langar Hall which I found very interesting. http://thelangarhall.com/archives/352

Return to Unity, Rabbi’s first full English song, I’m still chewing and pondering over, so thoughts on that will come at a later time. Tu Avin Bandra (You should come to Bandra) is a love song of sorts to Bandra, a part of busy, bustling Mumbai. I like the song for its music, its slow, laid back quality, and the almost smiling voice with which Rabbi sings “tainu idhar accha lagega (you’ll like it here).” Its a very different song, and it creates an image of a hustling, bustling, complicated Bandra, one that I’m sure I’d appreciate more if I had spent any time there. The song, for some reason, makes me think of a big city on a wet, rainy day. I really couldn’t tell you why, but its a nice image and makes me happy.

Tu Avin Bandra, Rabbi Shergill

Now to my hands down favorite: Ballo, a simply lovely, amazing piece giving empathy and encouragement to a woman. It is beautiful because it seems to know, to have a very eerie sense of what it is really like to have the pain only a woman can have. It could be directed to a mother, a sister, a daughter, a wife, a distressed lover. Rabbi’s soothing voice begins the song with words that acknowledge pain without being arrogant or patronizing.

Ballo, Rabbi Shergill

Main janda, tainu aaj/Peer hundi/Dil tere uthdi ek/Cheez

(I know today you/have pain/in your heart rises/a pang)

And goes on to further accept the fact that this is difficult, that the time, the events, the circumstances, are akin to storms, raging across your word. The next two stanzas describe the betrayal and struggle a woman feels when one she treasured, loved, showered affection on, is the one that causes her this pain, this suffocation, this trauma (and Rabbi maintains the gentle tone of, “yes I know its hard”).

Main Janda Aunde/Din ‘ch tufan kei/Kuch Sujda Na/Uddi ey reit

(I know in the day/arrive many storms/you can think nothing/and there’s just sand)

Rakhdi ti jisne tu/Saambh Saambh/Ghut ghut seene naal/La

Kal jo si sohna/Sagna da haar tera/Ajj ban gia/Gall da o faah

(What you guarded/with great care/against your bosom/very close

What was yesterday/a lucky necklace/is today a noose/around the neck)

The chorus stanza comes next and is simply uplifting, and the music changes, complementing the tone, as it becomes encouraging, telling Ballo that all of this is karma, and this too will pass, as long she faces it with dignity and strength.

Ni Ballo/Ni Ballo/Gham khada/Ey tan lekha si/Karma da/Vekh lai jar lai/Ihnu khirhe mathhey/Beetaga sama/Hovange/Katthey

(O Ballo/O Ballo/Why this sadness/This is just cause/And effect/See it, feel it/Raise your chin/This time will pass/We shall be/Together)

The next stanzas couple stanzas hold the most meaning for me, and are quite powerful yet simple. Again, I am amazed by just the depth and feel, and how does one convey so much in such few words? And exactly what is needed to be said and heard?

Main janda dabbian tu/Kai yadan/Jo suttian na gaian/taithon

O aundian ne kandhan tapp/jadon meetein tun akhan/jadon laven foki mattan/maithon

(I know you buried/many memories/that you couldn’t/throw away

They come climbing walls/when you close your eyes/or when you listen to my/empty advices)

See what I mean? I may be getting too excited in my love for this song, but I personally have the impression that for a lot of women, this song is almost like what Killing Me Softly describes (for those who are fans of that song). In a song being played, you hear and feel like your own emotions have been stripped open. Except Ballo is not just empathic but aims to say “Its okay, and you can’t let this bring you down.” Yes, it is a struggle, and yes, it is a constant fight within you. As the next stanzas describe, you constantly judge yourself, debate yourself, accuse and sentence yourself. You try to find your faults one day, and another day blame the one who hurt you; one day you attack yourself and blame it all on your own doings, another day its not you…and yet, there is never a resolution, it is never over.

Kardi ein nitt tu/Mukadma/Kardi ein tikhian/Jirha

Kade akhein dokhi/Kade kar devein bari/Par hovey na/Koi faisla

(Everyday you/Litigate/Everyday a sharp/Debate

Sometimes its guilty/Sometimes its innocent/But never a/Resolution)

Again, the chorus comes in, and tells Ballo to lift her chin up and face the time, because this will pass.

And the last stanzas are both empowering and desolate. Rabbi ends with words that leave you both saddened, and also strangely stronger.

Tera maseeha/Bane das kivein koi/Duniya sabh bhulli firdi

Khud varke tainu folne painu/Khud painde tainu chalne paine/Navein akhar gharne paine

(Who tell me/Can be your messiah/When all are as lost

You’ll have to turn the pages yourself/You’ll have to journey yourself/Shape your own script)

It is the truth, and it is delivered like a soft blow at the end of a motivational speech. Ballo, there is indeed only you. Only you can control your life, pick up the pieces, create your world and your journey, clean up the messes and answer your own questions. We are all lost beings, and we cannot guide each other, and while we feel pain and hurt by each other, we are all on an equal footing, just trying to make our way and live our life.

Rabbi Shergill has a way with words, and is one of the finest lyricists on the Indian music scene now. Listen to his songs, explore his music, and interpret and research his lyrics, and each song will become an experience in itself.

Avengi Ja Nahin is available on Amazon, on ITunes, and via Yash Raj Films. For lots more information on Rabbi and to stay updated on his works, visit Rabbism. For the story behind the album, downloads, and complete lyrics and translations (and to sample the tracks), visit http://ajn.co.in.

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Avengi Ja Nahin, Rabbi Shergill

I’m a little late catching up to Rabbi’s latest work, unfortunately, though he has been on my list of favorite singers ever since Jugni, Tere Bin and Ishtihaar reached my ears and their words (translated lyrics, because Rabbi usually sings in pure Punjabi) reached my mind. I caught a video of the title MV from his new album, Avengi Ja Nahin, and honestly wasn’t drawn in and avoided it to prevent being disappointed, but recently I thought I’d atleast go back and check out the rest of the album. And I was very glad I did. Undoubtedly, Rabbi, the self-titled first album, will be my favorite, and in my opinion is the better one, for several reasons: Rabbi Shergill is fresh, passionate, strong, and in a very unique, independent spirit in Rabbi. Those were the songs that swept millions across the world, because you can sense his “I sing for myself” and “I am passionate about my music and nothing else” spirit in each of his songs. And, his sound of rock mixed with the sufi style was so new to the stale Indipop scene (which I’d all but given up, save for Kailash Kher), that Bulla Ki Jaana was literally a movement.

BUT…that doesn’t mean Avengi Ja Nahin isn’t a great album. Rabbi has stayed true to his soul and his passion and has created something quite wonderful. Italian maestro Mauro Pagani has produced the album, which was mostly recorded in Italy. Perhaps there is where my personal tastes are affected: I enjoyed Rabbi’s initial effort because it seemed to come purely within him; it was, after all, self-composed and self-written for the most part (or self-interpreted with wonderful results). While this one is too, there has to be some influence by the producer, and that has both its advantages and disadvantages. But it is always great when artists venture into different territories, especially when that means actually going across borders. Avengi Ja Nahin, as a result, is a very unique album. The lyrics are, as expected, quite great for the most part (still prefer the first, Rabbi, for the lyrical power, too, though). I’ll discuss those further later. The music, because of the international influence is rich in its diversity. A variety of instruments have been used, and creatively and expertly mixed. Ballo has a simple, constant beat in the background, placing emphasis on Rabbi’s strong vocals, and it matches the spirit of the song. Bilqis is strong, heavy on the guitars, and Rabbi seems to narrate the song, appropriately. Challa has a laidback, acoustic feel to it, like its playing on some boat with a lonely man rowing it. You can listen to the songs, get the translated lyrics and read more about the story on its official site: http://ajn.co.in/

Yash Raj Films, who are distributing the album, have a wonderful review: http://www.yashrajfilms.com/News/NewsDetails.aspx?NewsID=fc087a10-8206-4144-b14d-d06898d3bf8c

I think its great that Rabbi provided these lyrics, appreciating the fact that the majority of his fan following is not that well-versed in Punjabi. Also interesting and fun to read: the one-line comments added by him as a footnote to the lyrics. They provide a very personal insight into the creation of these songs. I’d also have liked to hear a bit more on what lies behind his composing, i.e., what drives him to choose the subjects of his songs and what are his inspirations as he writes?

Avengi Ja Nahin is another great offering by a singer, rocker, composer and lyricist whose passion for music is transparent, and who knows how to use his gifts to reach the people. I admire Rabbi for his bold lyrics, his honesty and depth, as much as I love his songs for their powerful beats, rhythms, and the energy in every tone.

PS: If you are a Rabbi fan also, then you will find hordes of information and discussion on the unofficial Rabbi blog, http://rabbism.blogspot.com.

(I forgot and was late publishing this first post. Thus, discussion on the lyrics follows soon in a separate post)

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So I am sufficiently satisfied with my PS right now (emphasis on sufficiently, I could never, ever be completely satisfied in a billion years), to take it a little easy on myself (emphasis on little, the 31st is too close). Easy as in I thought I’d hover on to my blog and write something nice and non-MCAT.

And watch the ending of Grey’s, which let me tell you was pretty freaking shocking and unnerving. Left a lot of people unhappy. Not me so much, because I found out I didn’t care about it as much after all, especially in this state of mind, but netizens are going crazy over it. I really got more of it when it was a roomie activity that we could bond over I miss my roomies 😦 I was sad that the wedding didn’t work out, though, because we really thought they Christina and Burke really complemented each other in a nice way (we as in the AGO girls 🙂 I hope you weren’t too disappointed, O!). Seriously, they were good together, but the rumor of Isiah leaving has been going around for a while so I guess this makes it happen. Sandra Oh I really like, she’s a great actress, the scene where she finally breaks down was pretty heart wrenching, even though I wasn’t feeling anything else, she did a good job of showing how broken she was that everything was just gone, just like that, in a couple hours. “I’m free” was a strange thing to say, but I liked the “Damn it.” Do we really all want to be free? I think as strong she was, I think a part of her was happy that she would be ‘tied’ down, so to speak, because she loved Burke. *Sighs* Sad. I also liked George, and I’m sad he failed the intern exam. It also scares me–so you basically have no other option than leaving? Wow. Intense. I missed the last couple eps, so I’m not sure who Lexi is but apparently its all the buzz. I think it’d be weird if they just started from scratch with new interns, I seriously don’t think that would work.

Its good to be home. Its unbelievable to be pampered by your parents and have no chores (since i’m working sooo hard 🙂 ) and its good to be with my soul sister (even though I miss the other ones!). She’s the most inspiring individual in the world and I’m overstuffed with pride when I’m with her. She’s a strong one and she’ll make it through this, and I’m glad I can be a little help. I’m sure she’ll kick ass on this exam. Its good to chit-chat and gossip while we study, its not so bad with her around, otherwise I was simply miserable and not getting anything done.

It is still very overwhelming though–everything that I’ve worked for in my life and everything that is still to come all seems to be lying on a very precarious cliff this month. ALL in this month. That idea is a little (understatement) scary. Anyway, lets quickly move off topic, as fast as possible…..*stops thinking* *brain comments sarcastically: yeah, right!*

So another thanks is in order to everyone who’s been a lifesaver in giving me feedback on my PS copies. I’m so grateful. I wish I could name my first born child after all of you, but then I’d feel sorry for the kid with so many names. So I’ll just say: THANKS! You already know you rock my world. Everyone’s feedback has really, really been very helpful because I’ve got so many different perspectives.

All this deep introspection and literally vomitting my soul out to write this PS has led me to ask the eternal question again and again: Who am I after all? I can’t describe myself to a group of adcoms who’ve never met me in a 5300 character limit. I’m so much, and yet so little. I’m filled with complexities and yet can be so simple. I’m everything I love and everything I hate. How do you really tell someone who you are?

And that thought brings me to one of my favorite songs. Rabbi Shergill’s adaptation of the Sufi Saint Bulla Shah’s Kafi. I find Rabbi Shergill to be one of my generation’s best musical artistes. He is different, yet very earthy, very bold, and his music is exhilarating, pulsating and touching at the same time (I mean his debut album, Rabbi, I also like some of the tracks on his debut music director attempt-Delhi Heights). This song was all the crazy a couple years back, and I think it speaks a lot for the artist if he could bring a song from the 18th century and make it the talk of the town in the 21st century, with everybody looking up the lyrics. {***From the album Rabbi by Rabbi Shergill. Sample it on www.musicindiaonline.com***}

Bulla Ki Jaana Main Koun?

(Bulla! I know not what I am) 

Bulla ki Jaana main kaun
Bulla ki Jaana main kaun
 

Na main moman2 vich maseetan3
Na main vich kufar4 dian reetan5
Na main pakan6 vich paleetan7

(Nor am I the believer in mosque)
(Nor am I in the rituals of the infidel)
(Nor am I the pure in the impure)

Na main andar bed-kitiban8
Na main rehnda bhang-sharaban9
Na main rehnda mast-kharaban

(Nor am I inherent in the Vedas)
(Nor am I present in intoxicants)
(Nor am I lost nor the corrupt)

Na main shadi na gamnaki
Na main vich paleetan pakeen
Na main aabi na main khaki

(Nor am I union nor grief)
(Nor am I intrinsic in the pure/impure)
(Nor am I of the water nor of the land)

Na main aatish na main paun
Bulla ki Jaana main kaun

(Nor am I fire nor air)
(Bulla! I know not what I am)

Na main arabi na lahouri
Na main hindi shahar nagouri
Na hindu na turk pashouri

(Nor am I Arabic nor from Lahore)
(Nor am I the Indian City of Nagaur)
(Nor a Hindu nor a Peshawri turk)

Na main bhet mazhab da paya
Na main aadam-havva jaya
Na koi apna naam dharaya

(Nor did I create the difference of faith)
(Nor did I create Adam-Eve)
(Nor did I name myself)

Avval-akhar aap nu Jaana
Na koi duja hor pachhana
Maithon na koi har syana

(Beginning or end I know just the self)
(Do not acknowledge duality)
(There’s none wiser than I)
 

Bulla ki Jaana main Kaun

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